Yangbans - HBC, dir. Léon Moh-Cah, South Korea 2025, 3’40’’
In hectic Seoul, Haebangchon - HBC - offers music, community and freedom. This animated music video portrays a sweet day there as a living sketchbook: characters reshape backgrounds, jump between frames and bend gravity. Overlapping scenes reveal HBC’s playful spirit, turning streets into imagination.
Birdlife/ Vogelleben, dir. Lukas Wind, Estonia 2025, 2’44’’
Lost in her daydreams and oblivious to the cuckoo egg in her nest, a bird mother is breeding her own catastrophe.
Choolers Division - Capitaine T, dir. Monsieur Pimpant, Belgium 2025, 4’53’’
Mise en abîme, the members of the group Choolers Division are filming a video clip in a toy store in the Belgian Ardennes, in Brussels as well as in a hi-tech studio.
Psychonauts/ Psihonauti, dir. Niko Radas, Croatia 2025, 7’57’’
Leaving their human hosts, mental disorders take on anthropomorphic forms and find new refuges.
The Sky Was Candy, dir. Anh Tú Nguyen, Germany 2025, 2’59’’
A yellow and blue day in the life of a little child.
Ordinary Life/ 普通の生活（Futsu no Seikatsu), dir. Yoriko Mizushiri, France, Japan 2025, 9’48’’
Ordinary life repeats, yet no moment is ever the same. Everything shifts and wavers. When we touch something, consciousness drifts beyond the past and future. In this uncertain world, only the body’s contact with what exists here and now can be felt as the present. That fleeting moment is lovely.
Oberka - Wildbait, dir. Lee Oz, Eliška Oz, Czech Republic 2025, 3’05’’
In a neon-bright clay world, an angler monster races through the forest of her imagination. Twisting trees and pulsing colors create playful chaos as she stumbles through surreal scenes. The film becomes a grotesquely poetic journey where humor and the subconscious merge in delirious spectacle.
Ovary-Acting, dir. Ida Melum, United Kingdom 2025, 12’26’’
A harried thirty-something woman is forced to decide whether she wants to be a mother after unexpectedly giving birth to her reproductive organs at her sister’s baby shower.
SAKANAMON - Supponpon, dir. Hoji Tsuchiya, Saigo no Shudan, Japan 2024, 3’27’’
A grand banquet attended by the gods was being held at a beachside hotel in space. At that time, the earth's environment was in ruins due to the development of civilization. The man who saved the turtle builds a rocket to aim for space, but... A work inspired by the Japanese folktale Urashima Taro. MV for SAKANAMON
Visiting the Zoo, dir. Maria Zilli, Italy 2025, 3’45’’
Visiting the zoo portrays a glimpse into the lives of three characters who move through the city like animals in a zoo, gradually reconnecting with their primordial instincts. Until they erupt in a final confrontation with real animals, breaking free from all social constraints
Presto Agitato, until we all vanished, dir. Yeoleum Choi, USA 2025, 2’36’’
Presto Agitato – Meaning "very fast and agitated," the animation portrays the desperate flight of insects across sheet music, vanishing in a chaotic and urgent frenzy. The narrative delves into the causes of insect mass extinction and the subsequent ecological collapse, framed by the majesty of Beethoven's music.
Porosty - Dog, dir. Jacek Gabis, Poland 2024, 3’35’’
After a shampoo incident, a group of dogs go to hell to rescue last remaining human babies. A 3D Blender animation made in the 90's era aesthetics.
Signal, dir. Emma Carré, Mathilde Parquet, Belgium, France 2025, 16’44’’
Claudie is absolutely passionate about her rather unusual job: scanning the cosmos for signs of extraterrestrial life, hoping to make contact. Completely absorbed in her mission, she gradually loses touch with those around her. To the point that reality itself could fade away from her…
